“inbuilt software is not infallible and of course, it can’t “look” at an image with a critical human eye”
The hard truth about software is that you need it. There are purists out there who argue that an image should be left as taken and that any form of digital manipulation or post processing is somehow cheating. Frankly, I think that’s rubbish. Digital cameras are all driven by software (firmware) specific to the camera, which helps them capture the images, setting the white balance, giving an interpretation of the dynamic range of a scene, carries out the automatic light metering to set the exposure etc. This inbuilt software is not infallible and of course, it can’t “look” at an image with a critical human eye – the camera may therefore not be able to capture a scene the way that you can in your mind’s eye. Software allows you to make adjustments to the brightness and contrast of images, selectively adjust the levels to change the depth of shadows or brightness of highlights, crop images, straighten them and to sharpen them as necessary. In short – software helps us ensure that our images are as good as they can be – and photos from all sorts of different cameras will benefit from this process.
So; the question is, what software? And how much does it cost? Well, like so much else in Photography, the answer is as much as you want to spend.
Probably the most famous single piece of software for photographers is Adobe Photoshop, but it doesn’t come cheap. It is now primarily available through monthly subscription (of £7.49 per month) so over the course of a year you’ll be paying around £90, and this would be an ongoing commitment to stump up that sum each year. Photoshop Elements is a simpler version (and my preferred software) but even that will set you back around £60. There are a number of other programs, such as Adobe’s Lightroom (£100) that many photographers swear by either alongside or instead of Photoshop, so you can see how costs can quickly escalate.
It doesn’t have to be one of these expensive programs, though, and there are a number of free programs out there which can be extremely useful if you’re trying to avoid costs. One that I think is particularly worthy of mention is PhotoScape. This free software includes RAW conversion to JPG and a competent photo editor including resizing tools, brightness and colour adjustment, white balance, backlight correction, cropping, various filters, red eye removal, blooming, paint brush, clone stamp and an effect brush. It’s certainly no Photoshop, but for a photographer on a budget, it’s hard to find cheaper than free!!
“for a photographer on a budget, it’s hard to find cheaper than free!!”
Use software to turn this:
This shot was taken using my trusty Fuji bridge camera – but one of the great things about software like this is that you can use it to enhance images from any sort of camera (or cameraphone) really helping you get the best from modest equipment. An example of this is given below, shot on an old Pentax Optio E50 – a basic “point and click” compact:
…use whatever you like, whatever you can get your hands on and whatever you have lying about.
As this blog is about photography, I guess it’s only right that my first proper post should be about cameras. With all the thousands of different types of cameras out there, what on earth should you use?
The shortest and best answer I can give is – use whatever you like, whatever you can get your hands on and whatever you have lying about.
I’m not saying that to be frivolous or to avoid answering the question – but after all, this blog is about doing things on a shoestring and frankly, I don’t know how long your shoestrings are. Of course, I could recommend you a particular make or model of camera, but if I did, for some it would be too expensive, for some too complex, for others it may be too basic, or not powerful enough, or not carry the right features. If there are any camera snobs reading this, my recommendations could even seem too “cheap” – but if you fall into that category, this blog probably isn’t for you.
Instead, I think it’s important to work our what sort of photographer you are, what sort you want to be and what sorts of cameras will best meet your needs. Note my use of plural here, as some of you may well want to use more than one type of camera depending on circumstances.- and this doesn’t need to be expensive…
A few tips on different types of camera:
Compact / Point & Click cameras:
Don’t write these cameras off as no good simply because they are (normally) at the cheaper end of the market – there are some excellent cameras out there.
Don’t get sucked in, looking for the highest number of megapixels. It is far more important to get a camera which is optically good (with a good lens) and decent response to different light conditions, than getting a high resolution JPG of an image which looks bad.
If you don’t mind buying second hand, you can pick older ones up really cheap. (I recently bought a 7mp camera for £6 and use it a lot).
Obviously, they fit in your pocket. This is great as it means you can always have one with you; you never know when you’ll find the “perfect” photo opportunity, and kick yourself for not having a camera.
If you get a cheap second hand one, you can try things and take it to places you may be unwilling to take more expensive gear (out sailing, diving in a cheap plastic cover, up a mountain etc.)
They normally run on AA or AAA batteries that you can replace anywhere in the world.
They tend not to have powerful zooms.
Look out for: Optical zoom. A decent ground glass lens. A view finder or electronic viewfinder (EVF) if you can find one. At least some level of manual control. A tripod mount.
Avoid: Digital zoom only. Small or poorly manufactured lenses. Cameras overladen with “gimmick” features but little manual control.
Always try before you buy – and zoom in on a test photo all the way to see the sharpness of the image captured. If you can, try the same in low light. Often the big names, like Canon, Nikon, Pentax, Fuji etc are good bets, but they have also made some dogs!
Mobile Phones / Camera Phones
Some purists amongst you may object to their inclusion here, but let’s be honest, we nearly all have mobile phones, and nearly all of them have cameras these days. A lot of them are really very good. In fact, the cameras in phones have come on so far that these days, that sometimes the design is clearly more camera than phone. (Check out the Samsung Galaxy S4 or Nokia Lumia 1020 to see what I mean).
Of course, top end phones and/or camera phones don’t come cheap, but a lot of you will have access to them anyway because of your mobile phone contracts – so don’t be shy about using their cameras to their full capabilities, because it’s almost a camera for free.
Even older phones with less high quality cameras can still be very good, especially in good light.
One key benefit is that you will nearly always have your mobile phone on you, so you never need to miss that golden opportunity for a shot.
New phones can be loaded with loads of cool (and free!) photo apps for editing and sharing on the internet.
Because they tend to have small sensors, they can actually be really, really good for close-up work which dedicated cameras can’t achieve without spending quite a bit of money.
They often only offer digital zooms, which can be a pain (though some newer models buck this trend).
Look out for: Decent low light sensitivity. A powerful flash. Macro focus mode. A reasonably wide field of view.
Avoid: Poor low light response (like the plague!!). Poor field of view. Poor autofocus.
Bridge Cameras are called this because they bridge the gap between Point & Click cameras and interchangeable lens cameras (DSLRs and CSCs). They offer far greater manual control than most simple compact cameras, normally offering independent shutter and aperture controls and quite often they offer “manual” focus (thought this will be achieved digitally).
They normally have significantly better zooms than compact cameras, starting from around 15x from a few years ago right the way up to a whopping 50x available today.,
They have large ground glass lenses so their optical quality is normally much better than compact cameras (even on older models with lower pixel counts).
They are incredibly versatile, offering a wide range of shooting options in a single camera and lens.
They are therefore great travel cameras covering a wide range of situations.
Like compact cameras, old ones are now getting really quite cheap (though I’ve not seen one for £7 yet). If you shop around you can start finding pretty decent ones from about £50.
As you start pushing the boundaries of their capabilities, you are likely to start wanting to upgrade to an interchangeable lens camera.
Look out for: A decent zoom range (anything from about 18x is pretty good for older models). Full manual controls including manual focus. RAW image capture if available. A threaded filter ring (or one capable of having a filter ring adapter added). A snug fitting lens cap. Optical Image Stabilisation.
Avoid: Anything with a scratched lens (if buying second hand). This is common in cameras of this type. Any versions that don’t have an EVF.
Interchangeable lens cameras
There’s so much to say about these, that they will need another blog entry, but they fall broadly into two types – DSLRs (Digital Single Lens Reflex) and CSC (Compact System Cameras). Both types vary greatly, and the modern high spec versions can be pretty pricey. At the lower end, it’s much easier to find second hand DSLRs, as they have been around for a lot longer (basically since the early days of digital photography) where as CSCs are only really becoming mainstream now. It is therefore also much easier to buy second hand lenses for DSLRs today…
Looking at ebay today – you can buy a 6.3MP DSLR for under £50 but you would be lucky to get a decent lens with it, and the light sensitivity will not be as good as a more modern camera.
If you are really, really serious about photography, it’s likely that you will want to upgrade to an interchangeable lens camera at some point because the range of different lenses you can use ultimately gives a greater range of shooting capabilities than even those offered by a Bridge camera – but it can therefore be an expensive journey to set out on. If you’re total budget is £100, you are much better off sticking with a Bridge camera.
I can’t tell you what to buy – I own variants of all of these, but I would suggest to anyone that a few quid on a compact camera with a decent lens can never be a waste of money… If you learn how to make the most of it, you’ll be able to get some great pictures. If you’re a little more serious but still just getting going – an upgrade to a bridge is a massive step up in terms of the capabilities of the camera.
I say everyone, but I’m not sure that anyone will find this straight away. This is my first entry in my new blog, Shooting on a Shoestring, and well, my first blog entry ever! I’m new to this, so bear with me…
Over the next few months and years, I’d like to invite you all on a journey in photography, helping everyone to take the best pictures possible on a tight budget. I would welcome comments and advice from any readers (so feel free to leave comments etc.) because I am always looking for new ideas, and I know a lot of other photographers are too.
One of my biggest bugbears as an amateur photographer is asking about equipment and being told the only way to achieve something is by spending lots of money. A classic example is wildlife photography, where you often want to take photos of something very close (macro) or very far away (telescopic). In these areas, lens prices from the major brands can get pretty astronomical, pretty quickly. These are areas I will return to (probably several times) – but this blog isn’t just focused on specific lenses or SLR equipment. It will also look at software, the web, cameraphones, point and shoot cameras, cheap printing methods, scanning techniques, classes and a whole range of other items that I haven’t thought of yet. It will also cover challenges and games for those who want to get involved.
So – who am I?
I’m Alex Denny, and I’m a keen (and still learning) amateur photographer. When high street camera shops still existed, I used to work in my local one in Tonbridge in Kent (called Camera Gear). We sold new and second hand cameras, as well as developed colour prints on various automatic processors and black and white prints in a dark room on site. My early days in photography were therefore very much based in film (and as I’m in my 30s, I still remember the days when digital wasn’t really around) – but these days it’s nearly all digital. The focus of this blog will be mainly digital as it’s quite a bit cheaper these days, but I will look at techniques for film as and when it comes up.
I’m interested in all sorts of images and types of photography – but in general I want to capture the wonder of the world around me. I’m a keen naturalist and animal lover. I’m fascinated with wildlife large and small, but also the great expanses of the countryside, of the night sky, of mountains and rivers and of all sorts of travel. I love diving and I love flying, so nothing is therefore off limits.
I can’t claim to be an expert at shooting any of these things. I’m still learning. The aim of this blog is to help us all get to the stage where we can capture the images we want to without breaking the bank.